The things that happen in the editing bay.
Several months ago, I made the journey from San Marcos, Texas up to Dallas to convene with a long-time friend and colleague of mine, Stuart Reid. Stuart and I were…
In the past half-year, I’ve used FCP-X nearly exclusively for my corporate video editing. In that time, I’ve had to to deliver a wide range of work for a very diverse group of recognizable national clients – often under very tight deadlines. I doubt I could have hit these deadlines while delivering the same quality without FCP-X. That’s based on looking back at what I’ve done, the deadlines, the programs and client requirements and how FCP-X often helped me work faster and more efficiently than I was working before.
Pete Bauer of Contrail Media explains the basic procedures for working within the multi-cam editing environment, and then guides you through a sample sequence involving four source video clips as they are mixed into one. A quick review of the process is included at the end of Pete’s tutorial. In less than 15 minutes, this video tutorial covers the essential steps you’ll need to know in order to use the Multi-Cam Editing tools in Adobe Premiere Pro CS5.5.
I asked Shane Ramirez, our editing manager here at Media Design to relate his thoughts on the new Adobe Premiere Pro platform vs. our old version of Final Cut Pro (7). I asked him which platform he would be using for his latest project, since he was trained originally on Final Cut, and his answer was Premiere Pro CS 5.5, and with his comments, we can perhaps determine why.
Several changes to Sony Vegas have been seen since NAB this year. At NAB, Sony previewed Vegas Pro 10.0d and a couple months later, 10.0e is now available. So what…
What FCP 1.0 might tell us about FCP X (and why theOklahoma Land Rush of 1893 is still instructive today) It’s now more than a week since the great FCP…
Dynamic Link goes one way for a given instance. But if you are using unique assets to make sure no sequences, comps, or clips — even if nested — are trying to make a round trip that would result in an endless loop (in which case the Dynamic Link with the circular reference is error-trapped and simply won’t work), then Dynamic Link has functionality in both directions. Several versions back, it was only one way. An After Effects composition could be put into Premiere Pro, but not the other direction way back when. That’s changed now though.
An interview with Dennis Radeke, Senior Business Development Manager at Adobe. This video, and the two that follow it, compose our Introduction to Adobe CS5.5 workshop. We’re calling it a…
An interview with Adobe vendor Gary Bettan of Videoguys.com. In the second part of our Intro to CS5.5 workshop, I talk with one of the most widely recognized dealers in…
An interview with Pete Bauer, our DVi forum moderator who recently upgraded to CS5.5. Our Intro to CS5.5 workshop concludes with Pete Bauer, who has authored several articles for us…