I’ve included all the details I think are essential to not just the camera and it’s function, but the script and process as well, compete with names, dates, work flows and strategies. We’re finishing post production as I write this, and the film looks great. We had a delightful time shooting, thanks to a genuinely bright and funny cast, a small, industrious crew and an amazing new camera, the Canon EOS C300.
I recently attended a series of panel discussions presented by Filmmakers Across Borders. The event was sponsored by the San Antonio Film Commission and was the opening event for the…
Posted to our forum by DVi member Ian Campbell: I got my DVD copy of “How to Setup, Light, & Shoot Great Looking Interviews” in yesterday’s mail. I’ve now watched…
Posted to our forum by DVi member Ian Campbell: I got my DVD copy of “How to Setup, Light, & Shoot Great Looking Interviews” in yesterday’s mail. I’ve now watched…
The road to distribution for a low budget independent film is a long and winding one (to paraphrase Paul McCartney), yet we were able to get there. You can get there too, if you avoid the well placed land mines along the way.
Pete Bauer of Contrail Media explains the basic procedures for working between Adobe CS5.5 applications such as After Effect and Premiere Pro, and then guides you through a sample Dynamic Link exercise moving sequences from one application to another. A quick review of the process is included at the end of Pete’s tutorial. In just about 15 minutes, this video tutorial covers the essential steps you’ll need to know in order to use Adobe Dynamic Link in Adobe Creative Suite 5.5. Pete has also provided a companion tutorial article to this video workshop.
Adobe Dynamic Link is a fantastic feature that allows live interaction between different software applications. It is a really valuable tool that I really can’t imagine being without. Although there…
Several months ago, I made the journey from San Marcos, Texas up to Dallas to convene with a long-time friend and colleague of mine, Stuart Reid. Stuart and I were…
In the past half-year, I’ve used FCP-X nearly exclusively for my corporate video editing. In that time, I’ve had to to deliver a wide range of work for a very diverse group of recognizable national clients – often under very tight deadlines. I doubt I could have hit these deadlines while delivering the same quality without FCP-X. That’s based on looking back at what I’ve done, the deadlines, the programs and client requirements and how FCP-X often helped me work faster and more efficiently than I was working before.
Pete Bauer of Contrail Media explains the basic procedures for working within the multi-cam editing environment, and then guides you through a sample sequence involving four source video clips as they are mixed into one. A quick review of the process is included at the end of Pete’s tutorial. In less than 15 minutes, this video tutorial covers the essential steps you’ll need to know in order to use the Multi-Cam Editing tools in Adobe Premiere Pro CS5.5.