Browsing: Articles & Reviews

Production Multiquip Inc. PSG6 Studio Inverter Generator

DVi contributor Craig Chartier saw a lot of really cool stuff at NAB this year. Most of it wasn’t even shipping then, but everything is available now. Just in time for the holiday shopping season, Craig presents his “best products of the year” for 2012 in this four-page buyer’s guide. A lot of these items weren’t available for sale yet when they were first shown at NAB, but all of them can be bought right now, and the links to buy them from B&H, or directly from the manufacturer, or in some cases on Amazon, are included at the end of each description. There are no $10,000 items on this list. They are ranked in no particular order of importance and they cover several areas of production.

Post Production

This Adobe CS6 tutorial by Pete Bauer of Contrail Media shows the round-trip process of taking a video clip through Adobe SpeedGrade that was deliberately shot at the wrong color temperature (i.e., a camera’s white balance was set to daylight instead of tungsten), because color temperature is something that Premiere Pro’s built in color correctors don’t explicitly have, but SpeedGrade does. Rounding out the workshop is a demo of a simple audio noise clean-up with Adobe Audition.

Post Production

These power tips are geared toward the FCP editor and will you get up to
speed quickly with the nuances and new features in Adobe Premiere Pro CS6! Maybe you’ve come to Adobe Creative Suite Production Premium from Final Cut Pro or Avid Media Composer. If so, you’ll want to take advantage of the new features found in Adobe Premiere Pro CS6. I myself am a switcher and a former Final Cut editor. Professional editors want a powerful, reliable app that can handle various workflows, and those new to editing want an NLE app that is easy to use and intuitive. In this article I’ll share some power user tips to make you more successful and comfortable with Premiere Pro.

Camera Support

Another NAB, another Vinten review! Yes, it’s that time again: tinker and test, tweak and note, dust off the keyboard and set about disseminating the information. This is something of a “two for one” deal. This was necessitated by the fact that Peter Harman at Vinten kindly sent me the Vision blue5 for the review, and very nice it is too. However, it’s COG/ Mass graph quickly demonstrated that all of my Video cameras, even piled/ bolted one on top of the other, weren’t going to get the Counter Balance system to play ball in a fit. Cue: a mad scrabble to prise one of the very first prototypes of the new CB100 (more of that anon) out of my business / design partner / machine and powder coat shops in Texas. As I write this (eight days before copy deadline) it’s currently shown as “somewhere between Chicago (?) and New Zealand,” just what I really didn’t need.

1 16 17 18 19 20 34