Buyer's Guide: Canon Cinema EOS Cameras
Canon’s Cinema EOS line of digital cinema cameras was introduced in November 2011. This page showcases the current Cinema EOS camera models.
NAB Survival: Is It The Shoes?
At a four-day endurance match with the pedestrian brutality that constitutes NAB, the key word is comfort.
My Path to iTunes and Beyond
The road to distribution for a low budget independent film is a long and winding one (to paraphrase Paul McCartney), yet we were able to get there. You can get there too, if you avoid the well placed land mines along the way.
NAB Show Reports
More Articles & Reviews...
How to Improve Your Showreel Website: The Short Version
I see a lot of really awful portfolio websites around, and it offends my marketing sensibilities. This is my attempt to make the showreel world a slightly better place. PRESENTATION IS…
Shane Hurlbut's Illumination Experience Continues…
Shane Hurlbut’s Illumination Experience cinematography education tour finally wrapped this past weekend in Los Angeles, successfully completing a three-month tour of 26 cities across the United States. If you were…
Moire: A Tale of Two Shirts
Two shirts, two different colors, exactly the same fabric… why does one moire and one not? The answer goes to the root of how single sensor cameras work… The CEO…
Dragon Color: Does Tungsten or Daylight Make a Difference?
RED cameras have typically shown more accurate color response under daylight than under tungsten light. Dragon, however, is supposed to be a different beast altogether. Is it? Let’s take a…
Exclusive: AJA's Jon Thorn answers questions about the Cion
Jon Thorn is Senior Product Manager at AJA.His post here is part of a discussion on our community message boards. Every product I have ever proposed or been involved with…
PXW-FS7, Part 3: Moving the Grip, More Lenses, Company Moves, and More
My exploration of the PXW-FS7 large-sensor shoulder-mount camera continues. If you haven’t already seen ‘em, my First Look and Part 2 articles provide background information for what I’ll discuss. Moving…
The Rough Guide to Calibrating a Light Meter in the Field
“What is that?” my gaffer invariably jokes as I pull out my light meter on set. Meters are rare in the HD world, but I’m revisiting my film roots and…
The Judd Offset: What I Didn't Know I Didn't Know About OLED Monitors
The first series of Sony OLED pro monitors looked green to me, and until recently I didn’t know why. It turned out I wasn’t hallucinating, and I now know a…
PXW-FS7, Part 2: Getting a Grip, Looking at Lenses, Better Balancing, and More
My explorations of the prototype PXW-FS7 “Vérité” continued this week with the receipt of two E-mount lenses and the XDCA-FS7 extension unit. Getting a Grip In Part 1 I whined…
A Critical Look at Cion's New Demo Reel
Question: What is in this reel that shows me what an amazing camera the Cion is? Answer: nothing. That doesn’t mean it isn’t amazing, but if it actually is amazing…
The White Shirt, Where Soft Light Becomes Your Enemy
The bread-and-butter work in my area is corporate marketing projects, and plenty of those involve talking head videos. And plenty of those talking heads wear white shirts. This is what…
A Critical Look at Varicam's Latest Demo Reel
I’ve waited a long time for a single sensor Varicam, and it looks like that wait may be coming to an end. But is it everything I want it to…