The stuff that doesn’t fit elsewhere.
One Man’s Journey Making Pictures for Twenty Eight Years First I should qualify myself by saying at a ripe young age of just 53 I am a curmudgeon. I shot…
I recently attended a series of panel discussions presented by Filmmakers Across Borders. The event was sponsored by the San Antonio Film Commission and was the opening event for the…
Sometimes I just have to pinch myself, to make sure I’m not dreaming. It’s probably the same feeling and phenomenon that my dearly departed grandmother used to describe to me…
This article was Originally published in FCPUG Supermag #4 (April 2010) and on Dashwood3D.com Updated and Revised September 2011. All images ©Tim Dashwood unless otherwise specified. 3D is back in style…
Meet the GoPro Hero HD camera. This tiny powerhouse has got capabilities at a price we could only have dreamed of a few years ago.
Most camera manufacturers have resources for their users. Canon has the Digital Learning Center, Sony has their Backstage 101 Community, and Nikon has their Learning Center. All are focused on…
Most camera manufacturers have resources for their users. Canon has the Digital Learning Center, Sony has their Backstage 101 Community, and Nikon has their Learning Center. All are focused on…
Having had the privilege of meeting Jim Jannard early in the initial phase of the RED concept and getting a close look behind the scenes at RED Digital Cinema practically its start, I wanted to shed a little more light on the significance of the impact it’s going to make on the HD acquisition market as well as clear up a major misconception that has propagated online amid all the recent RED speculation flying around the internet.
Arguably, more has been written about Depth of Field (DoF) on the DV Info Net Comunity than any other discussion topic. This is my attempt to provide the ultimate discourse and treatment of the subject. By posting all of the variables and examples in one place, novices and old hands can benefit and apply the newly gained knowledge in the field.
Here are the ten optical defects and what the camera operator can and cannot do to correct the defect.